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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Non classifié
473
PIANO & CLAVIERS
Piano seul
190
Orgue
34
Piano Facile
33
Piano, Voix
23
Piano, Voix et Guitare
6
Piano (partie séparée)
5
Instruments en Do
5
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
3
Accompagnement Piano
2
Clavier
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
Instrumentations suivantes
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GUITARES
Guitare
37
2 Guitares (duo)
18
Guitare (partie séparée)
11
Mandoline, Piano (duo)
10
Guitare notes et tablatures
9
Mandoline
9
Orchestre à Plectres
8
2 Mandolines (duo)
3
Ukulele
1
Basse electrique
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
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VOIX
Chorale SATB
83
Chorale 2 parties
32
Chorale 3 parties
26
Chorale TTBB
14
Chorale SSAA
10
Chorale SSAATTBB
6
Chorale Unison
4
Voix duo
4
Voix basse, Piano
2
Voix Soprano, Piano
2
Voix Soprano
1
Voix Tenor, Piano
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
37
Quatuor de Saxophones: 4 saxophones
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Saxophone (partie séparée)
24
Hautbois, Piano (duo)
18
Flûte, Hautbois, Clarinette, Basson
15
Saxophone Alto et Piano
11
Quatuor de Clarinettes: 4 clarinettes
11
Quintette de Saxophone: 5 saxophones
10
Clarinette et Piano
10
2 Flûtes traversières (duo)
9
Flûte traversière
9
Clarinette
9
Saxophone Tenor et Piano
8
2 Saxophones (duo)
7
2 Clarinettes (duo)
7
Clarinette (partie séparée)
5
Saxophone Soprano et Piano
5
Hautbois, Basson (duo)
5
Hautbois (partie séparée)
5
Quatuor de Flûtes : 4 flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Alto
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flute (partie séparée)
3
Flûte, Hautbois, Basson
3
3 Flûtes à bec (trio)
3
Ensemble de Clarinettes
3
2 Hautbois (duo)
2
Trio de Flûtes: 3 flûtes
2
Ensemble de Flûtes
2
3 Clarinettes (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Clarinette (duo)
2
Flûte à bec Alto, Basse continue
2
Flûte à bec Soprano, Piano
2
Flûte, Violon
2
Quatuor de Flûtes à bec
2
Saxophone Baryton, Piano
2
Clarinette et Alto
1
Clarinette, Alto et Piano (trio)
1
2 Clarinettes, Basson
1
Hautbois, Guitare (duo)
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette et Basson
1
Clarinette Basse
1
Flûte à bec, Harpe
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse, Piano
1
Flûte traversière, Basse continue
1
Flûte à bec Soprano
1
Saxophone, Clarinette (duo)
1
2 Flûte à bec (duo)
1
2 Cors Anglais Et Pianoforte
1
Quintette de Flûte : 5 flûtes
1
Ensemble de saxophones
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Alto
1
Flûte, Alto et Piano
1
Clarinette, Harpe (duo)
1
3 Saxophones (trio)
1
Piccolo, Piano
1
Clarinette, Violon (duo)
1
Clarinette, Basson (duo)
1
2 Clarinettes, Piano
1
Cor anglais, Piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Trombone (partie séparée)
23
Trompette (partie séparée)
18
Trompette
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trombone et Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trombone
9
Cor
9
Trompette, Piano
9
Cor et Piano
7
Tuba
7
2 Trompettes (duo)
5
Cor (partie séparée)
5
Euphonium
4
Euphonium, Piano (duo)
4
2 Trombones (duo)
4
Tuba (partie séparée)
3
Trombone basse
3
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres
2
Tuba et Piano
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Tubas (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Cors (duo)
1
Trombone, Orgue
1
Cor anglais, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
128
Violon, Violoncelle (duo)
90
Trio à Cordes: 2 violons, violoncelle
56
Violon et Piano
50
Violon
39
Harpe
38
Violoncelle, Piano
37
Violoncelle (partie séparée)
30
Trio à Cordes: violon, alto, violoncelle
19
Violon, Alto (duo)
19
Violoncelle
17
Alto, Piano
16
2 Violons (duo)
11
2 Violoncelles (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Violon (partie séparée)
8
Alto seul
6
Contrebasse (partie séparée)
6
Alto (partie séparée)
4
Harpe, Flûte (duo)
4
Contrebasse, Piano (duo)
4
Contre Basse
3
2 Altos (duo)
2
2 Contrebasses (duo)
2
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Alto et orchestre
1
Alto et Harpe
1
3 Harpes
1
Violoncelle, Contrebasse (duo)
1
Alto, Violoncelle (duo)
1
2 Harpes (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
118
Orchestre à Cordes
51
Orchestre
35
Ensemble Jazz
22
Ensemble de cuivres
20
Cloches
15
Orchestre de chambre
12
Batterie (partie séparée)
5
Jazz combo
5
Marimba, Piano (duo)
3
Ensemble de Percussions
3
Orchestre, Violon
2
Batterie
2
Vibraphone
2
Percussion (partie séparée)
2
Fanfare
2
Marimba
1
Piano et Orchestre
1
Marimba et Orgue
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Demand Music
Orchestre de chambre
Partitions à imprimer
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1
Chamber Music No. 6
Orchestre de chambre
Solo-Viola d'amore, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), Fagott, …
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Solo-Viola d'amore, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), Fagott, Horn (in F), 2 Trompeten (in C, zweite Trompete ad libitum), Posaune, 3 Violoncelli, 2 Kontrabässe viola d'amore and chamber orchestra - Digital Download SKU: S9.Q21080 For viola d'amore and chamber orchestra. Composed by Paul Hindemith. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 46/1. Ernst Eulenburg & Co. GmbH - Digital #Q21080. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21080). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of Chamber Music No. 1, the audience even demanded a repetition of the third and fourth movements. But the title is misleading: The individual pieces rather bear concertante and soloistic markings than bow to chamber music traditions. Chamber Music No. 6 focuses on the viola d'amore which, despite its virtuoso handling, is challenged by a few individual instruments separated from the orchestral setting. The scores are based on Volume IV/3 (PHA 403) of the Hindemith Complete Edition edited by Giselher Schubert.
$16.99
15.67 €
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Orchestre de chambre
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Paul Hindemith
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Chamber Music No. 6
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Chamber Music No. 4
Orchestre de chambre
2 Picc. · 0 · 0 · Es-Klar. · 1 · Bassklar. · 2 · Kfg. – 0 ·…
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2 Picc. · 0 · 0 · Es-Klar. · 1 · Bassklar. · 2 · Kfg. – 0 · Cornet à pistons in B · 0 · 1 · 1 – S. (4 Ring-Tamb. o. Schellen) (1 Spieler) – Str. (0 · 0 · 4 · 4 · 4) violin solo and large chamber orchestra - difficult - Digital Download SKU: S9.Q21078 (Violin Concerto). Composed by Paul Hindemith. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 36/3. Duration 23 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21078. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21078). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of Chamber Music No. 1, the audience even demanded a repetition of the third and fourth movements. But the title is misleading: The individual pieces rather have concertante soloistic features than bow to chamber music traditions. Not least the epithet Violin Concerto in the title of Chamber Music No. 4 refers to that fact.
$21.99
20.28 €
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Orchestre de chambre
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Paul Hindemith
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Chamber Music No. 4
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Czardas
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.648097 Composed by Monti, Vi…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.648097 Composed by Monti, Vittorio. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. Score and parts. 25 pages. Theupperstaff #3046257. Published by theupperstaff (A0.648097). This transcription for flute and string orchestra comes from the violin repertoire. The solo demands technique and musicianship.
$19.95
18.4 €
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Orchestre de chambre
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Monti, Vittorio
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Nick Lacanski
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Czardas
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theupperstaff
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SheetMusicPlus
Pathos Chorodia
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.976709 Composed by Hans Leo …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.976709 Composed by Hans Leo Hassler (1601). Arranged by Robert Myers. 20th Century,Contemporary,Easter,Sacred. Score and parts. 25 pages. WheatMyer Music #4766879. Published by WheatMyer Music (A0.976709). PASSION CHORALE is the name given to a 1656 German tune which accompanies the words of the ancient hymn, O Sacred Head Now Wounded. This tune is clearly heard throughout this instrumental arrangement called Pathos Chorodia, which is a transliteration of the Greek for 'passion chorale.' I chose the Greek due to it being the common language of the First Century Near East with which the early Church was fluent. Although the familiar melody is heard clearly throughout, the setting will sound very foreign to most ears. In acknowledgment of the atonal origins of the pierrot ensemble, this arrangement embraces dissonance and chromaticism, and avoids clear statements of conventional harmony without, however, being altogether atonal. Thus, it is a most unusual setting of the tune, but one that poignantly paints the deep anguish expressed in the hymn text, the anguish of the crucifixion's witnesses. The music is simultaneously shocking and familiar, which seems a fitting way to present this familiar story in all its shocking horror.The music may be successfully performed with advanced high school or later musicians. It is not excessively technically demanding but will require artistic taste and expressiveness. It is good selection for chamber ensemble concerts and suited for either secular or sacred venues.
$19.99
18.43 €
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Orchestre de chambre
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Hans Leo Hassler
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Robert Myers
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Pathos Chorodia
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WheatMyer Music
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.68 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.37 €
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Orchestre de chambre
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
Scarborough Affair
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.955747 Composed by Phil Thri…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.955747 Composed by Phil Thrift. Arranged by Phil Thrift. 20th Century,Folk,Jazz. Score and parts. 80 pages. Phil Thrift #6674855. Published by Phil Thrift (A0.955747). If you’re looking for a respectable, for the listener undemanding, arrangement of the well-known English folk song Scarborough Fair, then this version may not be for you. Scarborough Affair is a refreshing new take on the original: The familiar melody is never heard in its entirety, there are jazzy harmonies and jazzy syncopations, 5/8 and 7/8 measures, and the arrangement isn’t even in the 3/4 time of the original song. When a 3/4 section does finally appear, featuring a solo for your cor anglais player, the listener gets to hear a variation on the well-known tune.This arrangement is the chamber orchestra edition of the original arrangement I wrote for a wind ensemble and has parts for the following instruments:3 flutes (3rd flute doubling piccolo)2 oboesCor anglais2 Bb clarinets2 bassoonsTrumpet (C and Bb parts included)TromboneHarpsichord doubling pianoStringsYour horn and percussion players can take a break and you may wish to reduce the number of strings.
$26.99
24.89 €
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Orchestre de chambre
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Phil Thrift
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Phil Thrift
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Scarborough Affair
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Phil Thrift
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
55.33 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
Klezmer Fantasy: Concertino for Klezmer Clarinet and String Quartet
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.978024 Composed by Harold Se…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.978024 Composed by Harold Seletsky. Concert,Contemporary,Jewish. Score and parts. 86 pages. Robin Seletsky #4985407. Published by Robin Seletsky (A0.978024). Klezmer Fantasy fuses the unbridled joyousness of traditional klezmer with the complexity and demands of true chamber music. Composed in 1997 by Harold Seletsky, this 12-minute composition was awarded first prize by the American Society for Jewish Music with the citation reading: Seletsky has written an extraordinary work that pulls out all the stops for the klezmer player. It is fully notated but with ample room to inflect and improvise in the klezmer style if the player so chooses.
$30.00
27.67 €
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Orchestre de chambre
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Harold Seletsky
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Klezmer Fantasy: Concertino for Klezmer Clarinet and String Quartet
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Robin Seletsky
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SheetMusicPlus
Concerto for Harp and Chamber Orchestra (Score and ALL PARTS)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.983347 Composed by Michael L…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.983347 Composed by Michael Lisle Dunn. Arranged by Michael Lisle Dunn. Contemporary,Standards. Score and parts. 144 pages. Michael Lisle Dunn #4303537. Published by Michael Lisle Dunn (A0.983347). This concerto for Harp is about 15 minutes long, in the style of the New Baroque (Baroque elements with more contemporary harmonies, fundamentally concordant with harmonic integrity). The orchestral parts are relatively easy and should be easily playable by intermediate level players. The Harp part is designed to be slightly more demanding so as to give, in places, a virtuosic performance effect. This pdf contains all parts. My PRO is the Performing Rights Society (PRS).
$13.99
12.9 €
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Orchestre de chambre
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Michael Lisle Dunn
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Michael Lisle Dunn
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Concerto for Harp and Chamber Orchestra
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Michael Lisle Dunn
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SheetMusicPlus
Hanging Tree
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.955017 Composed by Jim Bosse…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.955017 Composed by Jim Bosse. Contemporary,Folk. Score and parts. 34 pages. Jim Bosse #4595313. Published by Jim Bosse (A0.955017). This is the third movement from Shavano Suite, a set of four pieces inspired by folklore and campfire tales of the Maysville/Mount Shavano area in the Rocky Mountains of Colorado. The suite was originally scored for classical guitar duet, but this version is expanded for classical guitar, string quartet and percussion. The percussion requires drum (or timpani), glockenspiel, guiro and wind chimes. Performance time for the suite is 17 minutes. This movement, however, can stand alone as a concert piece, with a performance time of 3 minutes. Performance demand is advanced intermediate level. Videos of all four movements in the guitar duet form can be viewed on YouTube by searching jimbosseguitar. Jim's web site is www.facebook.com/jimbosse
$4.99
4.6 €
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Orchestre de chambre
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Jim Bosse
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Hanging Tree
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Jim Bosse
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SheetMusicPlus
Grave of Charlie Reynolds
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.955018 Composed by Jim Bosse…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.955018 Composed by Jim Bosse. Contemporary,Folk. Score and parts. 41 pages. Jim Bosse #4595307. Published by Jim Bosse (A0.955018). This is the final movement from Shavano Suite, a set of four pieces inspired by folklore and campfire tales of the Maysville/Mount Shavano area in the Rocky Mountains of Colorado. The suite was originally scored for classical guitar duet, but this version is expanded for guitar, string quartet and percussion. The percussion part requires a large drum (or timpani), glockenspiel, guiro and wind chimes. The suite has a total performance time if 17 minutes. This movement, however, can stand alone as a concert piece, with a performance time of 3 minutes and 30 seconds. Performance demand is advanced intermediate level. Videos of all four movements in the original guitar duet form can be viewed on YouTube by searching jimbosseguitar. Jim's web site is www.facebook.com/jimbosse
$4.99
4.6 €
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Orchestre de chambre
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Jim Bosse
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Grave of Charlie Reynolds
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Jim Bosse
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SheetMusicPlus
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